Orientations bibliographiques#

Méthodologie#

Mairesse, François, et Fabien Van Geert. 2021. Écrire la muséologie : Méthodes de recherche, rédaction, communication. In Écrire la muséologie : Méthodes de recherche, rédaction, communication. Les Fondamentaux. Presses Sorbonne Nouvelle. https://books.openedition.org/psn/17886.

Méthodologie sciences sociales

Recherche-action / recherche création

Anthopologie

Situation

Méthodes qualitatives

Méthodes quantitatives

Tucker, Erica L. 2014. « Museum Studies ». In The Oxford Handbook of Qualitative Research, édité par Patricia Leavy. Oxford University Press. https://doi.org/10.1093/oxfordhb/9780199811755.013.023.

Évaluation muséale

Approches critique

Critical heritage

Biblio#

Mitchell, Timothy. “The World as Exhibition.” Comparative Studies in Society and History 31, no. 2 (1989): 217-36. Accessed October 29, 2020. http://www.jstor.org/stable/178807.

Historians in Public by Ian Tyrell

Connecting to Collections (https://www.connectingtocollections.org/) has some really great webinars that might be of some use to the class

- Svetlana Alpers, “The Museum as a Way of Seeing,” in Ivan Karp and Steven D. Lavine, eds., Exhibiting Cultures. The Poetics and Politics of Museum Display (Washington and London, 1991), pp. 25-32.

Musée comme expérience

- John Dewey, “The Live Creature,” Art as Experience (New York, 1934), pp. 1-19.

- Carol Duncan and Allan Wallach, “The Universal Survey Museum,” Bettina Messias Carbonell, ed., Museum Studies: An Anthology of Contexts (Oxford, 2004), pp. 51-70.

Also recommended: Ann Higonnet, “Museum Sight,” in Andrew McClellan, ed., Art and its Publics: Museum Studies at the Millenium (Malden, Massachusetts and Oxford, 2003), pp. 133-147.

- Pierre Bourdieu, and Alain Darbel with Dominique Schnapper, “Conclusion to The Love of Art”, Bettina Messias Carbonell, ed., Museum Studies: An Anthology of Contexts (Oxford, 2004), pp. 431-435.

- Donald Preziosi, “Art History and Museology: Rendering the Visible Legible” in Sharon

MacDonald, ed., A Companion to Museum Studies (Malden, Massachusetts and Oxford: Wiley-Blackwell, 2006), pp. 50-63.

- Stephen Greenblatt, “Resonance and Wonder,” pp. 541-554.

Collections#

- Michael Baxandall, “Exhibiting Intention: Some Preconditions of the Visual Display of

Culturally Purposeful Objects”, in Ivan Karp and Steven D. Lavine, eds., Exhibiting Cultures: The

Poetics and Politics of Museum Display (Washington and London, 1991), pp. 33-41.

- Michel Foucault, “Unities of Discourse,” The Archaeology of Knowledge, translated by AM

Sheridan Smith (New York: Pantheon Books, 1972), pp. 21-30.

- Pamuk, Orhan, “Museum of Innocence” and “Collectors,” Museum of Innocence”, (New

York: Random House, 2009), pp. 494-511.

Espace muséal#

Musée comme expo#

- Paul O’Neill, “The Emergence of Curatorial Discourse from the Late 1960s to the Present”, The Culture of Curating and the Curating of Culture(s), (Cambridge, MA, 2012), pp. 9-49.

- Nick Prior, “Having One’s Tate and Eating It: Transformations of the Museum in a Hypermodern Era”, in Andrew McClellan, ed., Art and its Publics: Museum Studies at the Millenium (Malden, Massachusetts and Oxford, 2003), pp. 51-74.

Éthique#

- Tristam Besterman, “Chapter Twenty-Six: Museum Ethics” in Sharon Macdonald, ed., A

Companion to Museum Studies (Malden, Massachusetts and Oxford: Wiley-Blackwell, 2006), pp.

905-927.

- Steven Lubar, “The Ethics of Objects”, Inside the Lost Museum, Cambridge, MA and

London: Harvard University Press, 2017), pp. 128-146.

- Review Whitney c

économie#

- Bruno S. Frey and Stephan Meier, “Chapter Twenty-Four: Cultural Economics” in

Sharon Macdonald, ed., A Companion to Museum Studies (Malden, Massachusetts and Oxford:

Wiley-Blackwell, 2006), pp. 838-871.

Processus#

- Beatriz Colomina, “The Endless Museum: Le Corbusier and Mies van der Rohe”, Log

(Winter 2009), no. 15, pp. 55-68.

- Helen Rees Leahy, “Making Exhibitions of Ourselves”, Museums and Biographies, edited

by Kate Hill, (Suffolk, UK, 2012), pp. 145-155.

- Vera L. Zolberg, “Art Museums and Living Artists: Contentious Communities,” in Ivan

Karp, ed., Museums and Communities: The Politics of Public Culture (Washington, D.C., 1992), pp.

105-136.

Biblio#

Alexander, Edward P. and Mary Alexander, Museums in Motion: An Introduction to the History and

Function of Museums, Lanham, Md.: Altamira Press, 2008.

Alpers, Svetlana. “The Museum as a Way of Seeing.” Ivan Karp and Steven D. Lavine,

ed. Exhibiting Cultures. Washington, D.C.: Smithsonian Institution, 1991. pp. 25-41.

Anderson, Gail, ed., Reinventing the Museum, Historical and Contemporary Perspectives on the

Paradigm Shift, Lanham, Md.: Altamira Press, 2004.

Anderson, Gail, eds., Reinventing the Museum, The Evolving Conversation on the Paradigm Shift,

Lanham, Md: Altamira Press, 2012.

Barker, Emma. Contemporary Cultures of Display (New Haven and London: Yale University Press,

1999).

Barringer, Tim and Tom Flynn, eds. Colonialism and the Object - Empire, Material Culture and the

Museum. London: Routledge, 1998.

Baudrillard, Jean, “The System of Collecting.” In John Elsner and Roger Cardinal, eds. The

Cultures of Collecting. Cambridge: Harvard University Press, 1994.

Benjamin, Walter, Illuminations. New York: Harcourt Brace, 1968.

Bennett, Tony. The Birth of the Museum: History, Theory, Politics. London and New York: Routledge,

Blythe, Sarah Ganz and Andrew Martinez, ed, Why Art Museums? The Unfinished Work of

Alexander Dorner, Providence and Cambridge, MA: The RISD Museum and the MIT Press,

Bourdieu, Pierre, Alain Darbel and Dominique Schnapper, The Love of Art: European Art Museums

7And Their Public, Malden, MA: Polity Press, 1997.

Carbonell, Bettina Messias, ed. Museum Studies: An Anthology of Contexts. Malden, MA, 2004.

Certeau, Michel de, The Practice of Everyday Life, translated by Steven Randall, Berkeley, Los

Angeles and London: University of California, 1980.

Clifford, James. The Predicament of Culture. Cambridge: Harvard University Press, 1988.

Conn, Stephen. Museums and American Intellectual Life, 1876-1926. Chicago: University of Chicago

Press, 2000.

Cuno, James, ed. Whose Muse? Art Museums and the Public Trust. Princeton, NJ: Princeton

University Press, 2006.

Dewey, John, Art as Experience, (New York, 1934).

Duncan, Carol. Civilizing Rituals—Inside Public Art Museums. London and New York: Routledge,

Falk, J., Dierking L., Foutz S. (eds), In Principle in Practice: Museums as Learning Institutions,

Lanham, Md: Altamira Press, 2007.

Falk, J. and Dierking, L., The Museum Experience Revisited. Walnut Creek: Left Coast Press,

Flaubert, Gustave, Bouvard and Pécuchet with the Dictionary of Received Ideas, translated and with

an Introduction by AJ Krailsheimer, London and New York, 1976 ((originally

published 1881).

Foucault, Michel, The Archaeology of Knowledge, translated by A.M. Sheridan, New York:

Pantheon Books, 1972 (originally published 1969).

Genoways, H. (Ed.), Museum Philosophy for the 21**st century. New York: Altamira Press, 2006.

Genoways, H. and Andrei, M. eds., Museum Origins. Walnut Creek: Left Coast Press, 2008.

Haxthausen, Charles, ed. The Two Art Histories. Williamstown: Sterling and Francine Clark Art

Institute, 2002.

Hein, G. E., Learning in the Museum. London: Routledge, 1998.

Hoberman, Ruth, Museum Trouble: Edwardian Fiction and the Emergence of Modernism,

Charlottesville: University of Virginia Press, 2011.

Hooper-Greenhill, E., Museums and the Shaping of Knowledge. London: Routledge, 1992.

Hooper-Greenhill, E., Museums and Education: Purpose, Pedagogy, Performance,

London: Routledge, 2007.

Karp, Ivan and Steven D. Lavine, eds. Exhibiting Cultures: The Poetics and Politics of Museum

Display, Washington and London: Smithsonian Books, 1991.

Karp, Ivan, Christine Mullen Kreamer and Steven Lavine, eds. Museums and Communities: The

Politics of Public Culture, Washington, D.C: Smithsonian Books., 1992.

Karp, I. ed., Museum Frictions: Public Cultures/Global Transformations,

Durham: Duke University Press, 2006.

Leahy, Helen Rees. Museum Bodies: The Politics and Practices of Visiting and Viewing. Burlington,

VT: Routledge, 2012.

Lubar, Steven, Inside the Lost Museum: Curating, Past and Present, Cambridge and London:

Harvard University Press, 2017.

Malraux, André, Museum without Walls. New York: Doubleday, 1967 (first edition, 1949).

McClellan, Andrew, ed. Art and Its Publics: Museum Studies at the Millennium. Oxford: Oxford

University Press, 2003.

8McClellan, Andrew. The Art Museum from Boullée to Bilbao. Berkeley and Los Angeles: University

of California Press, 2008.

McClellan, Andrew and Sally Ann Duncan, The Art of Curating: Paul J. Sachs and the Museum

Course at Harvard, Los Angeles: Getty Research Institute, 2018.

McClellan, ed., Art and Its Publics,

McDonald, Sharon, ed. A Companion to Museum Studies. Malden, Ma. and Oxford: Wiley-

Blackwell,

O’Neill, Paul, The Culture of Curating and the Curating of Culture(s). Cambridge, MA: MIT Press,

Pearce, Susan M. Museums, Objects, and Collections. Washington, D.C.: Smithsonian Institution,

Pearce, Susan M., ed. Interpreting Objects and Collections. London: Routledge, 1994.

Phillips, Lisa, New Museum: 40 Years New, London and New York: Phaidon Press, 2017.

Rogoff, Irit and Daniel J. Sherman, eds. Museum Culture. Histories, Discourses, Spectacles.

Minneapolis, University of Minnesota Press, 1994.

Sandberg, Mark B. Living Pictures, Missing Persons: Mannequins, Museums, and Modernity.

Princeton: Princeton University Press, 2003.

Vergo, Peter, ed. The New Museology. Chicago: University of Chicago Press, 1997.

Villeneuve, Pat, ed., From Periphery to Center: Art Museum Education in the 21**st Century

Reston, Va.: NAEA 2007.

Biblio#

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